Through the Force things you will see, other places,
the future, the past, old friends long gone.
--Yoda training Luke Skywalker, The Empire Strikes Back
Every year for the past 25 years (yes, I’m that old) I’ve been the emcee of the church Variety Show. This year I welcomed everyone to the 150th annual Variety Show because it feels that long. (I’m a funny girl, yes I am.)
I actually prefer to be called impresario because I remember a time when that’s what producers of variety shows and musicals and special performances were called. I remember Sol Hurok who, among other things, arranged for Marian Anderson to sing on the steps of the Lincoln Memorial and brought the Bolshoi Ballet to the U.S. after the Cuban Missile Crisis. I said I was old.
But back to the Variety Show. For years I’ve discouraged folks from calling it the talent show. Talent Show implies a competition and, well, talent. Now all my performers in the show are “talented” just not in the way you think of talent. They’re talented in their fearless willingness to stand up in front of their friends and family and perform. But, some of my performers are more…skilled than others, and certainly some of them are more comfortable on stage than others. But everyone is welcome to do what they do — within the confines of family entertainment — on the stage for 5 minutes or so. Except of course the extremely skilled, almost ready for Broadway folks. They can stay up there for 7 minutes.
Like I said, I’ve been doing this for 25 years. Nobody has the institutional memory of this singular church event in the same way that I do. Oh, everyone vaguely remembers some of the performances from year to year, but barring the unusual occurrence in church — one year a member reading a selection during the church service backed into the table of candles and caught fire, but that wasn’t at the Variety Show — no one remembers the performances the way I do.
And no one has the bittersweet sentimental moments when I’m putting together the list of performers and I think of those old friends who will never perform again. I’ll mention a few.
Marty Fixman sang country songs acappella at shows for more than 10 years and, in the beginning, was terrible. But over time either his singing improved or he grew on me — probably some of both. Marty passed away some years ago, and he might not have been anyone’s favorite, but he was steady, dependable, and lovable in his desire to perform. He certainly wasn’t my worst experience as an impresario.
(That spot is reserved for the elderly veteran who did a comedy standup routine consisting entirely of jokes told at the minister’s expense. It wasn’t funny at all. If I had had a preview of the material — in the beginning of my tenure shows consisted of one surprise after another — I would have found someone to talk him out of it. That particular performance occurred during one of my first three shows. I cringe every time I think of it.)
Al Searle recited the funniest poem about death that he himself had written. Al Searle was like a shaman in our congregation who led the youth group on strenuous hikes even into his eighties. I served on the Religious Education Committee with him and for years I’d introduce myself as the longest serving member except for Al Searle. When he passed away in his nineties, his memorial service was standing room only.
Jay Holmes always showed up in a tuxedo and proceeded to thrill the crowd with a classic like “Stardust” or “Begin the Beguine.” He too was in his eighties but his tenor was lovely and only a little shaky at the end. One year when I introduced him, I declared him to be “all that and a bag of chips” which I sincerely meant as a compliment. He was adorable and charming and attended the shows even when he couldn’t perform.
I sigh when I think of them. But my heart drops when I remember the next two names:
Katie Tyson played piano ethereally (her mother always said wistfully “no one plays Clair De Lune like Katie”) and sang with a fine youthful soprano. She was a joy to hear especially in folk and pop tunes and if she wasn’t playing the piano she was accompanied by her father, Herb. Katie died in a car crash in 2009 a few months after her 21st birthday. She was a dear friend to my daughters and cherished by me as another child under my protection.
And then, of course, there’s her father, Herb Tyson. Herb who was drafted/volunteered for my second Variety Show became my “wow finish” for many years. The first year he brought the house down with a cover of Arlo Guthrie’s “The City of New Orleans”. Thereafter, he used the Variety Shows to premiere his latest compositions which would become instant hits in our church community. His songs were melodic and frequently funny although he had the heart of a romantic coupled with a stern knowledge of what was right and what was wrong. He was the perfect Unitarian troubadour. His songs “Our Doors Are Open” and “The Heart of It All” are standards in our church.
Herb died in 2018 of cancer. His last performance was in 2016. He was diagnosed before the next performance and became too ill to perform. And now he’s been gone for two shows, and I will miss him forever. His wife, Karen, one of my best friends, preceded him in 2012. Herb always said the stress of Katie’s death caused Karen’s cancer. Two years before his death in 2016 he found love again thankfully, because someone like Herb shouldn’t be alone, and remarried.
I miss them all, my friends. For me the Variety Show is some weird kind of nexus that seems to whisk me back in time.
In memory yet green, in joy still felt,
The scenes of life rise sharply into view.
We triumph; Life's disasters are undealt,
And while all else is old, the world is new.
-- Isaac Asimov
The world is indeed new when I produce a new show and a new performer presents me with a surprise that reminds me that the unknown is nothing to fear. But the past is always with me, “in memory yet green.”















